A short walk through the streets of Sumenep

Two friends head home after mid afternoon prayers at Sumenep's Grand Mosque

Two friends head home after mid afternoon prayers at Sumenep’s Grand Mosque

The plan was to walk seven kilometres through the streets of Sumenep, leaving my hotel room in the mid afternoon and returning at nightfall as I had done two weeks earlier in Jogjakarta (see “A twenty-first century walk along Jogjakarta’s ancient axis”). It was a very modest target, or so I thought. But when I stepped into Trunojoyo Street the plan unravelled immediately. In the end I managed just three kilometres in three hours.

Before I tell you why, let me step back a little and paint some context. If you squint and look hard at a map of Indonesia you might see Sumenep (pronounced /SOO.m’n’p/) at the eastern end of Madura, the flat, dry island that stretches out snoozing in the tropical sun off the north coast of east Java. Indonesia’s economic boom has been looking in another direction and hasn’t noticed Sumenep yet. Its economy still relies mostly on fishing, the production of sea salt, some cattle farming and small orchards. Pilgrims visiting the royal burial ground of Asta Tinggi on the outskirts of town, and the nearby holy tomb of Sayyid Yusuf, also contribute. A bit of revenue comes from support operations for oil drilling in the Kangean islands further east.

There are a few new cars and motorbikes in the streets, of course, but unemployment – or more accurately, gross under-employment – remains endemic. Consumer goods that are everyday items elsewhere in Indonesia may be luxuries in Sumenep. I went into a supermarket looking for chocolate (my weakness). I couldn’t find any on the shelves but staff led me to a locked, glass-panelled cabinet. Behind the glass there were KitKat bars, and Indonesia’s Silver Queen chocolate bars, even a lone packet of Australian TimTams. But no-one could locate the key so I had to peer longingly, swallow hard, and move on.

Burn marks left by cigarette butts n the table in my hotel room. I'm surprised the hotel hasn't burned down.

Burn marks left by cigarette butts on the table in my hotel room. I’m surprised the hotel hasn’t burned down.

I stayed at the Wijaya I Hotel, which was once Sumenep’s premiere hotel. It may still be. (You’ll find it mentioned in Lonely Planet guides). My VIP room cost Rp.135,000 a night, around $10.00 US. The hotel was a fairly typical small town hotel, but even by small-town standards the label “VIP” was way over-the-top for the quality of the room I was given. It had no towel or soap. It had no hot water or toilet paper. Its Formica-topped table was covered in black welts from cigarette butts that had burned out along its edge over many years. But I don’t want to sound sour, so let me be even-handed. It did have an air-conditioner (with the reassuring buzz of a diesel tractor), a small table-top fridge (that kept my drinks nice and warm), and a tiny TV set (with exotically snowy pictures from its three channels). And when I moved in I was given an enthusiastic welcome by a family of mosquitoes.

The bathroom in my VIP hotel room. You flush the toilet by bailing water into it from the adjacent tub.

The bathroom in my “VIP” hotel room. You flush the toilet by bailing water into it from the adjacent tub.

I have to confess that despite these comforts I was quite pleased to leave the room and stride out into the mid afternoon heat. But in the hard streets of Sumenep I was tripped up by a problem that sabotaged my grand walking plan. The people were much too friendly… in fact so spontaneously hospitable and curious that my progress slowed to a crawl. Again and again I was waylaid and invited to chat, and the chat always included the compulsory ceremony of group photographs using mobile phones.

A large black akik opal ring, typical of the rings currently fashionable (for men) in Indonesia.

A large black akik opal ring, typical of the rings currently fashionable (for men) in Indonesia.

My first stop was about a hundred metres from the hotel. I walked past a street side workshop where an artisan was squatting on the footpath trimming coloured stones (akik) with a small circular saw. Beside him a display counter was loaded with opal-stone rings. Customers could choose a raw stone and have it shaped, polished and fitted to their preference, or they could choose a ready-made ring. There is something of a mania for akik rings in Indonesia at the moment. They are especially popular with men who believe they confer protection and special powers on the wearer.

A tray of akik rings on sale in Sumenep.

A tray of akik rings on sale in Sumenep.

Surprisingly, the young akik salesman, Dayat, didn’t want to sell me a ring. He wanted to talk religion. Madura is one of the most strongly Islamic regions of Indonesia. Its brand of Islam is conservative and closely bound up with the power of traditional religious leaders called kyai who rule with iron authority over mosques, religious schools and social life. On the two nights of my stay in Sumenep I was blasted out of bed at 3.30 in the morning by an hour of high-decibel dzikr chants and sholawat songs hammering on the doors and windows of the neighbourhood from loudspeakers in the local mosque. As far as I could tell the neighbourhood slept sweetly through the half-musical cacophony, but being unused to it, I couldn’t. Nevertheless, as my head cleared and I relaxed into the rhythms of the incantations, I felt – as I always do – a powerful affection for the music of Islam. It is an ambience as public, as comforting and as beautiful (yes… beautiful, even when distorted by screeching, tinny, pre-dawn loudspeakers) as Islamic architecture, dress, food, etiquette, calligraphy, decoration etc.

Dayat, the youthful akik salesman, turned out to be an amateur sociologist and theologian. He stumbled into an apology for the tarnished reputation of Islam.

“Some people say the Bali bombers and other Muslim terrorists are not real Muslims, because they act contrary to the peaceful tenets of our religion. But Islam is a community and extremists have come from that community, so they are Muslims.”

He looked at me with agonised earnestness.

“As a Muslim I am ashamed of the reputation my faith has acquired for indiscriminate violence (kekerasan membabibuta was the phrase he used). I’m truly sorry.”

Inwardly I thought Dayat was being much too tough on himself and his religious community. Much (not all… but much) of the “indiscriminate violence” he was apologising for was frustrated, blind retaliation for innumerable instances of equally indiscriminate violence visited on Muslims in many parts of the globe by the ruthless forces of Euro-American power. This doesn’t excuse indiscriminate, violent retaliation, of course, but it helps us to understand it without having to put up with the gormless rhetoric of moral outrage and cultural superiority that marks so much discussion of “terrorism” in Europe, America and Australia. Unfortunately Dayat had adopted some of the premises of this rhetoric.

With Dayat, the akik salesman who felt ashamed of the violence committed in the name of Islam.

With Dayat, the akik salesman who felt ashamed of the violence committed in the name of Islam.

I took my leave and walked on towards Sumenep’s Grand Mosque in the centre of town. Built in the late eighteenth century with the tiered, pyramid-shaped roof characteristic of Indonesia’s pre-modern mosques it is fronted by a massive, multi-level gateway painted in an attractive combination of white and bright yellow. In front of the gate I fell into conversation with two young women, visitors from Pamekasan about 50 kilometres away in central Madura. Rennie, aged around 25, was wearing a full length black shift with her head swathed in a close-fitting, black hijab scarf. She radiated a forbidding aura of nun-like severity. Her younger friend Ita was also dressed in irreproachable Islamic style but her clothes were more colourful, even a bit trendy. Both were under the watchful guardianship of Ita’s older brother.

Sumenep's Grand Mosque with its traditional pyramid shaped, tiered roof.

Sumenep’s Grand Mosque with its traditional pyramid shaped, tiered roof.

They wanted to take a photograph of the tall, grey-haired foreigner doggedly plodding the streets of Sumenep with a rucksack on his back. They used their mobile phones, of course. When I suggested a reciprocal photo on my camera, Rennie glanced around nervously and declined, presumably out of religiously inspired modesty. But Ita had no such scruples. She handed my camera to her brother and simply commanded him to take a photograph of her and me. When Rennie saw the image her resistance evaporated and she solemnly but very willingly joined us. Moments later, looking at the images, she even let out a delighted laugh, although her chaperone was frowning.

I pose with Ita (left) and Rennie (right) in front of the big entry gate leading to the Grand Mosque.

I pose with Ita (left) and Rennie (right) in front of the big entry gate leading to the Grand Mosque.

Religious bigots take note. If you allow smart-phone technology and social media into the fortress of your ideology, sooner or later they will escape your control and bite you where it hurts. Eventually (though not always immediately) new media will subvert your messages. As Marshall McLuhan – the Canadian pioneer of media studies – famously said “The medium is the message.” Mobile phones, their cameras, their photos and Facebook are not the ultimate as tools of female emancipation, but for many women they are an unstoppable beginning.

It's got everything. Pak Sariman's iced fruit confection, just Rp.5,000.

It’s got everything. Pak Saniman’s iced fruit confection, just Rp.5,000.

I was feeling thirsty and noticed a drinks stand in a side street beside the mosque. I sat down behind it on a rough bamboo bench. Pak Saniman, the proprietor, picked up a dessert bowl and with a few deft flourishes of a ladle lifted diced pineapple, mango, avocado, water melon and jackfruit from a colourful row of fat jars. This was followed by some squares of sweet bread and a psychedelic landslide of green rice-flour noodles. Cloudy sweet syrup was poured in and diluted with a bit of coconut milk. To complete the concoction pebbles of ice were added. All this cost Rp.5,000, about 30 US cents. Pak Saniman had been at his stand since nine o’clock in the morning. It was now around 5.00 pm. As I slurped up the refreshment he told me he had almost emptied his jars of fruit and was about to go home. He had Rp.150,000 (about $12.00 US) in his pocket. The early weeks of Muharram (the first month in the Islamic calendar) are usually very profitable, he said, but when the rainy season begins in November business would drop off. With a gleam of pride he told me his fruit drink stall had put a daughter through nursing school and was paying the bills for another daughter to complete secondary school in distant, trendy Surabaya.

I take a selfie with Pak Sariman (left) and another customer Muhammad Hayat (centre).

I take a selfie with Pak Saniman (left) and another customer Muhammad Hayat (centre).

Hmmm... every walker should try this. Delicious.

Hmmm… every walker should try this. Delicious.

Looking warily left and right I crossed Sumenep’s main street in front of the mosque and headed into the town’s park-like central plaza. I sat down on a concrete bench to watch children driving battery-powered mini cars and motorbikes around a circular pathway in the park. I was joined by Lisa, Layla and four friends, secondary school girls from Sumenep. They demanded (with perfect politeness, of course) that I pose with them for photographs. Smoothing down her blouse and pulling at her headscarf Lisa asked a question that her friends had been whispering to her.

“Which are prettier, the girls of Australia or the girls of Madura?”

My answer produced a dazzling row of smiles and demands for more photos.

With Lusi, Layla and friends. Note the mobile phones in their hands.

With Lisa, Layla and friends. Note the mobile phones in their hands.

I walked a little further and stopped in front of the Labang Mesem, the Gate of Smiles. This is the entrance to Sumenep’s royal palace. Night was now approaching with its usual tropical swiftness, but a young man emerged from the gate and invited me in. He was neatly dressed in a batik shirt, immaculately creased trousers and polished black shoes. His name was Inong and he worked for Sumenep’s tourism service. Inside, the front reception hall of the palace was already brilliant with light from the many bulbous colonial-style lamps that hung from the airy ceiling among carved, gold-embossed wooden posts. A group of university students were rehearsing a ceremony to be held there the next day. I tried to sneak around the edge of the hall, but I was spotted.

“Photos!” someone cried.

The rehearsal came to a sudden halt and a more immediate, more urgent ceremony got under way. Smart phones appeared. I estimate that in the good-natured ten minutes that followed at least 30 photographs were taken, each one accompanied by laughter and calls for more.

Photo-time in the front portico of Sumenep's palace.

Photo-time with local university students in the front audience hall of Sumenep’s palace.

It was hard to get away but eventually I arrived back in the street to find that night had fallen. I circled around through some back streets and went down a grimy alley behind the Grand Mosque.

“Good evening, sir!” a voice called in English from the streetside shadows. “Please come and talk with me.”

I was in front of a motorbike servicing workshop. Engine parts lay scattered on the oil-blackened floor. To one side, on a bamboo bench, sat Pak Romadon waiting for his bike to be fixed. He had once worked in Bali where he used his English every day, but in Sumenep very few people knew English, he told me, so he grabbed any chance he could to practise with foreign visitors.

A thought-provoking conversation in English with Pak Romadon.

A thought-provoking conversation in English with Pak Romadon.

Our conversation roved far and wide and eventually settled on the Suramadu Bridge, the 5.4 kilometre bridge finished in 2009 that spans the Strait of Madura and connects the island with the city of Surabaya. I asked Pak Romadon whether the bridge had brought changes to the previously stagnant economy of Madura.

“Yes, it has transformed the city of Bangkalan,” he said.

Bangkalan is at the other end of Madura near Surabaya. It was once as quiet and as isolated as Sumenep is now, but the bridge has transformed it into Madura’s biggest and most commercially dynamic city.

“But the bridge has not yet touched us here in the east of the island,” Pak Romadon said. He paused, then added “…except negatively.”

“What do you mean?”

“The bridge has made it easier for Surabaya’s drug dealers to access the young men of Sumenep,” he said. “Sabu-sabu (crystal methamphetamine) has become a real problem since the bridge opened.”

He looked up and down the dark alley only metres from the city’s grand mosque.

“It’s even here,” he murmured. “That’s all the bridge has done for us. So far.”

It was now completely dark. Reluctantly I left Pak Romadon and headed to the Wijaya I Hotel. I had fallen far short of my walking target, but somehow it didn’t matter. Sumenep had spoken, and it had a story worth hearing. Plus… I had taken quite a few photos.

An Italianate mausoleum in Sumenep's Asta Tinggi royal burial ground

An Italianate mausoleum beside a traditional Madurese rest pavilion in Sumenep’s Asta Tinggi royal burial ground.


7 thoughts on “A short walk through the streets of Sumenep

  1. Great article. I also spent 2 nights in Sumenep a month ago (in Wijaya I Hotel as well) so I can confirm everything which is written here. People were really nice and very active in taking photos with me as well. I surely recommend everyone to go there and see it before it changes due to the bridge.

    • Thanks Lukas. Maybe the Wijaya I Hotel should be preserved unchanged as a heritage site for future generations to wonder at.

    • Thanks Lois. I wish I could sneak into the back row of the church and check out the new organ. In 2017 maybe. Meanwhile, you deserve a whisper of congratulation. Crass yells of congratulation will follow when the music starts to flow from it.

    • We were planning to go to England with our son and his family in mid 2017 to do a canal-boat trip around some country canals plus some cycling in Holland, after which Emmy and I would come to France and visit you in Charolles. But our son has told us they can’t now join us until 2018, so the whole plan has been put back one year. Apologies. Are you likely to be at home in late summer or autumn 2018? There is still a chance Emmy and I might come to Europe in 2017, but we’d probably prefer to leave it until 2018 so we can have the pleasure of our grandsons’ company. Hopefully we’ll survive long enough in reasonable health to do that. Is the organ producing music yet?

  2. George, you don’t have to apologize. We are certainly likely to be at home late summer or autumn 2018 – unless we are pushing up the daisies by then. Taking risks is part of life … To answer the question about the organ: four ranks (out of 27) are functioning and my mission is to play the keyboards in. The result isn’t yet satisfactory: keyboards and the tracker action in general need a lot of fine adjustment and my playing is done behind a locked door after closing time so that noone will hear the problems. The organ-builder is away this week and next week and then will be back fairly briefly: everyone is hoping to hear a few ranks for the Christmas services so I hope my playing-in will mean he can adjust it really finely. But the sounds are already fantastic: this type of organ is a sort of “missing link” and I think the organ-playing part of France is going to go wild about it. All organs have things called “Montre” “Prestant” “Flûte” “Bourdon” etc … but they way they are voiced changes everything. It has beenfascinating listening to parts of the voicing process: tiny changes – sometimes invisible to the naked eye – change the colour of the sound or the speed of the attack (like “l” “d” or “t” …).

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